Quentin Tarantino reinvents iconography to rival even that of what he's paying homage to (the briefcase in Pulp Fiction is a blatant Hitchcockian MacGuffin, The Bride's blood-splattered yellow jump suit from Kill Bill is the like-for-like of Bruce Lee's in Game of Death, and the Mexican standoff finale in Reservoir Dogs is just The Good the Bad and the Ugly in a '90s warehouse).
Digital designer Hexagonall, recently gave a
poster makeover of Tarantino's
most famous films a different
marketing slant!


Sem comentários:
Enviar um comentário